![]() ![]() The special premiered on January 4, 2021. On December 10, 2020, VH1 announced the four part special Love & Hip Hop: Secrets Unlocked, a reunion special hosted by Kendall Kyndall and featuring cast members from New York, Atlanta, Hollywood and Miami. On December 3, 2020, it was reported that two new spin-offs were in production and set to premiere in 2021, one features various couples from the franchise's history, and another featuring cast members from Love & Hip Hop: Atlanta, Hollywood and Miami living together in an Arizona hotel. On October 8, 2020, Mona Scott-Young confirmed VH1 were working on a reimagining of the franchise, to be produced in-house. On June 12, 2020, VH1 announced that they had severed their relationship with Big Fish Entertainment, after their reality show Live PD was canceled due to the handling of the video footage of the killing of Javier Ambler. In early 2020, production on the Love & Hip Hop franchise was shut down due to the COVID-19 pandemic, forcing the series off air for the first time in 6 years. It is the first Love & Hip Hop production to be produced in house by MTV Entertainment Studios, with no involvement from Mona Scott-Young and her company Monami Productions. The series premiered on February 8, 2021, on VH1 as a spin-off of Love & Hip Hop: New York, Love & Hip Hop: Atlanta, Love & Hip Hop: Hollywood and Love & Hip Hop: Miami. VH1 Family Reunion: Love & Hip Hop Edition is an American reality television series featuring cast members from all four Love & Hip Hop cities. ![]()
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![]() Swedish filmmaker Goran Hugo Olssen compiled this fascinating glimpse into the Black Power movement out of largely forgotten 16mm recordings. Combining plaintive protest song with displays of the miners’ abject poverty, Kopple underlines the need for Brookside mining company to improve its workers’ living conditions-or else. still contained powerful matriarchal figures-women with voices and real political agency. It seems prescient that so much of the focus in Harlan County, USA is on women Kopple seems interested in the ways deeply traditional portions of the U.S. Barbara Kopple and her mostly female crew made their Oscar-winning documentary after spending years with the miners, bravely following them to the picket line in spite of threats from company “scabs.” As a result, the scenes Kopple and her crew are privy to are riveting she is knocked sideways in a hail of bullets, and witness to the solidarity as well as the squabbles of the tough-minded coalition of miner’s wives. Brookside coal miners have tried to unionize, and their company, fearing a domino effect, refuses to sign their contract with the union, setting a 10-month strike into motion. He critiqued the war for what it was-a foolish act of hubris that had descended into hellish violence. Including everything from ironic patriotic songs to valorous footage of Ho Chi Minh, De Antonio became one of the first filmmakers to stick his head over the parapet in protest. This may account for his colorfully abstract imagery and Godardian cutting style, covering decades of historical and political animosity with a light-fingered, fast-moving approach. De Antonio had come up as an artist during the Pop Art scene, befriending Andy Warhol and Robert Rauschenberg. Offering an alternative version of events from the perspective of the Vietnamese-not to mention French colonialists and American foreign policymakers-director Emile de Antonio sought to offer viewers a full understanding of the conflict. This intellectually dense essay film is a close examination of the historical lead-up to the war in Vietnam. But in the meantime, here are a few throwbacks and oddities in the same vein-and where you can find them online. There’s always the hope that the next four years will bring about a brand new wave of aesthetically fresh and loud-mouthed protest movies. Yet amidst the corruption-both actual and moral-of President Trump’s administration, it once again feels like an urgent necessity. The impetus among young people to make truly unapologetic left-wing movies seems to have mostly died away these days. ![]() That the struggle for women’s liberation or civil rights should still feel so relevant is troubling, but to learn from this history is to arm oneself for the future. Many documentaries and essay films were made in these turbulent decades, along with a sprinkling of punchy feature films over the wider course of the 20th century. Combining formal daring and experimentation with strident political statement, these progressive movies sought to assail the viewer with subversive imagery. ![]() In the ’60s and ’70s, when the anti-Vietnam War film became a mainstay of student counterculture, these types of films were unerringly popular. But if there’s anything that filmmakers really don’t make like they used to, it’s something else entirely: radical protest movies. It’s a homey, nostalgic phrase, and when it’s applied to movies it’s usually about wholesome family classics and sparkling old Hollywood confections. ![]() “They don’t make ’em like they used to,” is the kind of cliché that should probably be out of circulation by now. ![]() |
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